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Alain Delon

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- The young Delon -- He was born in 1935 as Edith Arnold and Fabien Delon's son. His mother worked in a pharmacy and his father had a cine named 'Regina' in Bourg-la-Reine. When he was 4 his parents divorced which was bad for him. He wasn't a handy student, he visited 17 different schools. When he was 15 he and his friend wanted to escape from an internate to Chicago but they were catched. His mother married again. He was keen on riding bike, playing football and seeing films but he didn't want to be an actor. He was a mariner in the army but he had him transferred to the terrestrial army go to Indo-China. In 1956 he arrived back to Paris but he sleeps at his friends and does casual works. He met with film stars and crews because he was handsome. 'Jean Claude Brialy' and Brigitte Auber his first professional friends. He got a role offer from Hollywood but he prefered a French role (_Quand la Femme ...). Born in Sceaux, France, 8 November 1935. The product of a broken home, Alain Delon had a stormy childhood. He was frequently expelled from school. CAREER: early 50's - parachutist with French Marines in Indochina; mid 50's - worked at various odd jobs including, waiter, salesman, and porter in Les Halles market; 1957 - film in Yves Allegret's "Quand la femmes s'en mele"; declined contract with Selznick studios; 1960 - recieved international recognition for his role in Visconti's "Rocco e i suoi fratelli"; 1961 - stage role in Tis Pity She's a Whore, directed by Visconti, Paris; 1964 - formed film company Delbeau Produ ctions; produced short film directed by Guy Gilles; 1968 - involved in murder, drug, sex scandal that indirectly implicated major politicians and show business personalities, eventually cleared of all charges; late 60's - formed film company Adel Film; 1970 - began producing feature films; 1981 - directed film "Pour la peau d'un flic". Without previous professional preparation, Alain Delon came to embody the young, energetic, often morally corrupted man. With his breathtaking good-looks, he was also predestined to play tender lovers and romantic heroes, and he was in the beginning a French embodiment of the type created in America by James Dean. His first outstanding success came with the role of the parasite Tom Ripley in Clement's sun-drenched thriller "Plein soleil". Delon presented a psychological portrait of a murderous young cynic who attempts to take on the identity of his victim. A totally different role was offered to him by Visconti in "Rocco e i suoi fratelli". In this film, Delon plays the devoted Rocco, who accepts the greatest sacrifices to save his characterless brot her Simon. After several other films in Italy, he returned to the criminal genre with Jean Gabin in "Melodie en sous-sol". This work, a classic example of the genre, was distinguished not only by a soundly worked-out screenplay, but also by the careful producti on and the excellent performances of both Delon and Gabin. It was only in the late sixties that the sleek and lethal Delon came to epitomise the calm, psychopathic hoodlum, staring into the camera like a cat assessing a mouse. His tough, ruthless side was firs t used to real effect by Jean-Pierre Melville in "Le Samourai" (1967). In 1969, he had a huge success in the bloodstained "Borsalino", which he also produced, playing a small-time gangster who, with Jean-Paul Belmondo becomes king of the Marseilles thirties underwo rld. Delon later won critical acclaim for his roles, against type, in Joseph Losey's "Mr Klein" (1976) in which Delon played (brilliantly) the icily sinister title role, and the art-movie "Un Amour de Swann" (1984). Today Alain Delon is married to Rosalie, he has an older son Anthony (who has also acted in a number of movies) from his first marriage to Nathalie, and has a young son and daughter, Alain-Fabien and Anouchka with his wife Rosalie.
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